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Grashros review
ohh boy what am i going to write about this manga... First i want warn you guys about this review, becuz' i am an amateur 'bout these kind of things, anyway lets get start.
First The STORY The plot is too simple and too predictable, but it makes me laugh and think about the situation that we are going through today. There are many references to our Present day. Like there are vegans, feminists, rebels and religions. And it shows us that they can't live together and when they split the clan to four other clans, they just killed them selves, anyway the message that the manga wants to give is DO NOT SPLIT OR FIGHT WITH YOUR OWN PEOPLE. You have to accept the other people even he or she is thinking the opposite way of you are thinking, you have to respect OTHER people or otherwise the enemy is going to kill all of you bla bla bla. The Characters Characters are not too deep(actually thats a gud thing 'cuz i don't want to dig a backstory of an character. I am an simple man, I see manga I reading it) . The main character wants revenge, the Other character wants to be stronger than any other creature, Vegans are secretly barbarian- ehm anyway and Some characters wants to sleep with a woman who got big oppai. Thats all am i going to share with you guys. I hope you liked my review kind a thing.
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Cinderella Knight review
It you like older shoujo, this is an older shoujo. It's got drama and compromising sexual situations. And magic. It's a pretty stupid story, but if you wanna read a magic swordswoman shoujo, well, here you go. It may be too short for some people, but honestly, it couldn't end any other way.
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Abara review
Set in the same universe as all Tsutomu Nihei's manga are: the nondescript urban landscape of our nightmares. The architecture is as suffocatingly bleak as usual; the story is faster paced than Nihei's most well known work, Blame, due to this manga's short length. Maybe it would be a good litmus test for newcomers to his world.
This time the Akira vibe is heavy, with body horror at the forefront. Expect human transformation and ugly metamorphosis aplenty. Though unlike Akira, I doubt Nihei's aspirations are as lofty as commenting on Japan's relationship with technology in the post Meiji-era. No, he just wants to immerse you in something completely alien, and burn his surreal Kafka-esque inspired imagery into your brain, while thankfully kicking your ass at the same time. What we have here are a guy in black and a girl in white who are compelled to beat the shit out of each other while destroying everything around them. The beauty as ever, is about revelling in the graphic detail of Nihei's universe, not necessarily what's driving the story. How were these sprawling structures built in the first place? Something I've been asking myself ever since reading Blame. It always takes my breath away. Tsutomu Nihei's scene composition is masterful, regularly showing the scope and perspective of structures that are inhuman in their massive presence. Nihei is a master in 'show don’t tell'. You won’t see long monologues or rambling dialogue. You won’t see narrative clichés rampant in mainstream manga, in his works. Nihei lets the images do the talking, what you see is what you get, and luckily for us there's a lot to see here. Painstakingly detailed environments reveal a lot and nothing at the same time. Ironically sound is more of a narrative force than dialogue from characters. Sounds such as doors sliding open, objects falling down stairs, all combine to lead you along the way. Characters only talk when they need to, and usually mumble meaningless words that only become coherent if we use our imaginations too. Characters that look like they'll be mainstays are introduced briefly, but then are promptly decapitated. Oh what decapitations! You will not see any as swift and graceful, as humorously mundane as the ones in this manga. The action is striking, occasionally a mess of clouds and lines, but often crowd-pleasing with clarity, and all building to a shattering climax that even Nihei has to introduce with dialogue. Abara is a great sci-fi actioner. A little diversion from a master of the craft.
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Rouge Noir review
It's unfortunate that fairly beautiful art here is used for a cliché-filled and shallow story. The most upsetting (and unrealistic) part is the protagonist's "love" for a character who rapes her, I detail I disclose here mainly because I found the subject matter and its insensitive portrayal both tasteless and, perhaps more importantly for anyone looking into this manga as a potential "next read," incredibly triggering. I tried to finish this short series to see if there would be any redemption for this mangaka's choices, but I couldn't force myself to slog through any more rapist apologetics. I know this kind of story twist isn't
entirely rare in manga, but it's a topic that other mangakas have handled with more sensitivity while also telling a better story with thoughtful characterizations.
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Ashita wa Doyoubi review
There is a reason that “Tomorrow Is Saturday” did not get its own anime as a parent story. It is uniquely uninteresting as a story, hence its score.
Everything in this manga is done episodically. This essentially means that there are no climaxes in favor of smaller and simpler chapters. This can be done well by using humor and charm in the characters. Hence, the only meaning left in this manga is in the references to other material besides its character development and interactions (that assessment will come later). If one were to give an example of a good story, “Ashita wa Doyoubi” is not something that would come to mind, because of its complete lack of one. Arguably speaking, this is uninteresting, bland, and appears very one-dimensional. It’s a “slice of life” school setting at its core (at the time of writing this review, “comedy” isn’t even listed with genres”). On the bright side, pacing is simply a non-issue considering that progression doesn’t exist. Nothing can possibly be called rushed in this type of setting, especially with how basic the premise of each chapter is. The only perceivable element to make the “story” bearable was its comedic elements. No outright jokes were made, but the chemistry between the three protagonists are what found the comedy, which are largely unfunny after the first set of chapters. There was no ending, and no visible need for one considering the flat content already provided. The artistic direction was unique in how simple it all was. That said, it’s not something that many can consider “memorable.” Yamamoto, the artist and storywriter behind this work, has had much experience with different styles over the years. Even so, this is a clear step down from their other works. It’s a simple style designed for a simple story. Thus, it is objectively consistent with the story and characters it supports. This does not mean that it’s particularly interesting. The panels and frames themselves had few issues, minus several translation notes to help give background when referencing Japanese culture. These are necessary, and can be tolerated in all cases that they were on the page. The quality and consistency of the style changed and fluctuated very little throughout the series. The backdrops and scenes were rather static given the school setting. If the story had occasionally called for a festival or major event, perhaps this could have inspired more creativity in this regard. The character designs stand out the most in this manga considering each one is so different from the other. Mina appears very expressive and small, much like the energy of a chihuahua. Yukari is academic and introverted in nature, which is matched by her glasses and hairstyle. Sanae is objectively the most mature of the three, and this idea is reinforced with her constant unamused stare and simple appearance. There was no questioning which character was which. The interactions between the three of them usually feature them commenting on a common subject. Sanae will take up one opinion, while Yukari takes up the opposite. Mina will be caught in the middle almost every time and Sanae will usually take advantage of Mina’s naive nature. This formula makes up the entirety of the manga, with few deviations. One of the few things that this manga has going for it are how well established all of its characters are. They are absolutely well rounded and they acted as expected in every circumstance. This makes their conversations and antics interesting to a degree, but there’s no growth or final destination in the plot. These characters are static; what that means is that they don’t change from start to finish. Nothing changes from beginning to end. There isn’t an antagonist. No supporting characters exist period. All that’s given is the trio of protagonists, each with their pros and cons. These characters may well be memorable if not for the bland and simple “story” that accompanies it. That ends my objective assessment. What do I think of it? The enjoyment factor is always a rough one to put in writing for me, considering I’m very much an advocate for objective assessments in reviews and essays. However, I didn’t really feel anything throughout the duration of this manga. These characters were more a proof of concept than meaningful protagonists. A lot of people might find it boring, as did I. It isn’t worth re-reading, as it was barely worth reading to begin with. I merely appreciated the parent story “Stop Teasing Me, Takagi-San!” and wanted to see what this manga had to offer. It really wasn’t worth going out of my way for. Basically everything in this manga is featured in the anime adaptation of its parent story. That all said, I can imagine that this item would go well with collectors for the universe it’s set in. The two volumes of this series would look nice on a shelf alongside all of the Takagi-san volumes. That's it folks, this manga is a supplement, and not one that’s worth it. The best description I can find to sum up all 52 chapters (this is messed up on MAL) is “uniquely boring.” There’s nothing more to comment on, except the name of the manga being as bland as the nonexistent story it contains. Tomorrow is Saturday.
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Boruto: Naruto Next Generations review
This review may contain spoilers. I'm not going to lie to you. I didn't have high hopes for the manga impressing me. I heard a negative review of it and it was hard for me continue to watch Boruto past the pre-Momoshiki arc filler. The pacing of the story in the anime was slow, Boruto didn't have an established motivation for being a ninja, and there was a lot of focus on the tension in Boruto's relationship with his father and Hokage of the Leaf Village, Naruto Uzumaki. However, I've been having a pleasant experience with the manga. The art is great, the story surprises
me with every new plot development, and I like the development in Boruto's character after the Momoshiki arc. He seems to take being a ninja seriously and tries to live up to the same ideals of being a ninja as his father while forging his own path. Boruto's generation doesn't really have as much of a focus in the manga as they do in the anime. But I'm not really bothered by that since (in my opinion) they don't really have the same charm as Naruto's generation. Some of them are copies of his generation in their personalities and techniques. If you're someone who dropped the anime but is curious about how the story proceeds during and after the Momoshiki arc, then I would give the manga a try.
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Cyber Blue review
This is great read if you appreciate Tetsuo Hara's work & science fiction.
The story itself made for good entertainment. With a good plot, characters, action & an cyberpunk like setting and Tetsuo Hara's art style.- but that just my thoughts.-.<
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Lovenista review
The animation in this manga was great. It had its own sense of cleanness and grace. The story was good, slutty girl falls in love with punk guy and they "mend" each other. At least the characters had some more depth once the story progressed. Ending came quickly, but as expected from a short shoujo.
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Oresama Ouji review
Warning: Oresama Ouji is very cliche so please do not even bothering reading it if you're looking for something with a lot of originality.
Story: A girl named Sawa doesn't like judo anymore because it always scared guys off. However, she is forced to deal with it again because she is in a judo club. A guy named, Sumikara, forced her to and he is also the captain of the judo club. Anyway he claims that he knew her from the past and that's when her life becomes sort of off.. Yeah I pretty much rewrote the summary for the story but there wasn't really much else to put for the story.. and if I put anymore it would give a way like everythingl. Art: The art was cute.. it never really bothered me so uh yeah not much to add to that. Character: It was pretty rushed how the characters reacted to one another even if they knew each other from the past.. I felt there should of been a bit more getting to know each other instead, but since it's a story of three chapters I guess I really can't complain. Overall: I think that this is a good short story, and if you're looking for something that'll pass some time and aren't too picky about how things are rushed and uses ideas over and over; you should definitely read this.
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